Prima Materia is ready to go with the new Summer Program after two years of COVID-induced prohibitions. Two members of our team (Deborah & Alberto) are completing the field visit to all the centers involved in Music & Resilience for planning details and also training where possible.
We were never let alone by our dear friend and colleague Mohammad Orabi who is now General Project Coordinator for Assumoud (our boss! thank you Mohammad for doing a great job).
We also had important strategic meetings with the Assumoud management and our trusted sponsor Taawon, whom we thank as always for its continuous support for the project.
2 members of the team, Chiara Trapanese and Marco Lolli, were back in Lebanon for a week last December, running workshops with the Community Music groups in the Assumoud centres of Eni Elhilweh (Saida) and Beddawi (Tripoli).
The workshops consolidated the developments of our new online support project for the CM students and their local teachers.
The visit also served to transport a digital piano donated in Italy to the Ein Elhilweh centre – our heartfelt thanks to the donor – this will make a world of difference to the students!
On 10-11 November 2021, we were invited to present our projects in Madrid, during the 6th Conference organized by AEOS (the Spanish Association of Symphony Orchestras) under the title: “AVANTI: a future full of music!”
Our representative, Deborah Parker, participated in a round table on the theme: “Education, Diversity and Transformation”, contributing to the discussion with documentation and reflections from our work in Lebanon and from the MARS online resources.
The video documentation of Deborah’s presentation is available HERE.
For the last part of this year’s activities in Lebanon of the Music & Resilience project, Alberto and Chiara worked three days in the El Jalil refugee camp in Baalbek, in the Bekaa valley.
Music & Resilience was the first musical project in this camp, and it started its activities here in 2017: during these years, we have brought some musical instruments (mainly pitched and unpitched percussions), carried out musical psychosocial activities for large groups of children (about 50 every year) and offered training for the staff of the Assumoud center which hosts both us and the activities.
This year we picked up the project from where we left it, frozen by the long lockdowns due to the presence of the COVID virus. To this we must obviously add that Baalbek experiences the same difficulties as the rest of Lebanon, with a shortage of fuel, electricity, medicines …
But all this cannot stop the music! All the planned activities were carried out, involving no less than 50 children divided into three age groups. In the afternoon, two hours were dedicated each day to a workshop with teachers and peer educators, to pass on musical skills useful for continuing the work during the rest of the year. More than half of the peer educators present this year are young people who in the last years have been part of our morning groups, and who now voluntarily carry out support activities to run these same groups. This means that there is a splendid continuity of fruition and training, where those who have personally experienced psychosocial musical activities wish to be trained in this way in order to continue their work. All of this is an evolution in perfect Community Music style: a process that enriches an entire community through music.
The next steps for this center concern making instrumental formation operational, with local music teachers and group music. The dreams are many, and in the next few years there will be a lot of work (and a lot of music!) to be done. We can’t wait!
Yesterday, 13th August, Alberto and Chiara completed the first part of their work this year with the Palestinian community in diaspora in Lebanon, with three days of music in the Saida refugee camp, Ein el Hilweh.
The workshops involved a large group of children (about 30) engaged in musical and psychosocial activities, and a group of young musicians with Community Music instrumental activities (see photos above and those in the previous post). We also worked with the more experienced students, who play the role of peer educators by teaching the younger children.
There were various kinds of difficulties: from motorway blocks due to protests because of price increases and fuel shortages (on the morning of 12th August, the Lebanese people woke up to find that the cost of petrol had increased more than 3.5 times!) to the logistic issues due to running the activities inside the refugee camp (the Ein el Hilweh camp generally does not accept any visitors; you must have a special permit which is checked for entry and exit by the military stationed at the access points to the camp). And now add the heat, humidity, lack of electricity …
Despite this, the musical activities were great: lively and involved children, a group of capable and passionate peer educators, and growing musical skills. The Community Music group mastered two sections of J(okes)Tonic, a song arranged for this group of musicians by Francesca Lico, based on a piece by Louis Moholo-Moholo and Lucille by Little Richard. This is probably the first time that live rock ‘n roll has been heard in this refugee camp! But this music, of African American origin, has always been the true voice of an oppressed and marginalized minority, in an evident parallel (despite the differences in ways, times and places) with the Palestinian story. The musical result is a testimony of the human aspect of the project, and it is always moving to witness how the human soul can make such beautiful flowers bloom even in such harsh situations.
And now, Alberto and Chiara are returning to Beirut and from there to Baalbek, in the Bekaa valley, to work with their friends from the local refugee camp, El Jalil, also called Wavel. More music is on the way!
Despite extremely hard life conditions here in Lebanon, within the context of a constantly worsening economic situation, THE MUSIC MUST GO ON!
Prima Materia is leading a 3-week program of follow-up for music therapy, community music and psychosocial music support, together with Assumoud, in the centres located in Beirut, Saida and Baalbek.
The photos show workshops in the Eine Elhilweh Assumoud centre with 50 students, some of whom are now working as peer-to-peer teachers for the younger children.
The socio-economic context – the entire country is without electricity for most of each day, without gas or petrol, and with the local currency devalued to a fourteenth of its value 2 years ago – has thrown Assumoud into its worst condition ever.
We are happy and honoured to be here beside our Palestinian friends, and determined to maintain our friendship, and to support the development of music resources to help the younger generation grow with some fun, satisfaction and hope for the future.
Thank you to all our supporters, in particular to Taawon Lebanon for the continued sponsorship of “Music and Resilience”.
The article witnesses the ten-year commitment that the Prima Materia association, together with laudable social and academic partners, has addressed in support of the Palestinian community in the refugee camps of Lebanon, after 73 years of diaspora and confinement. Findings discussed in the article indicate that music therapy had a positive effect on the children’s emotional and social functioning. Music Therapy stands out as an effective therapeutic method in lowering anxiety levels in children suffering from the effects of stress and trauma, and in strengthening their self-esteem and sense of agency, thus contributing to the development of their resilience.
We are delighted to present the preview of the peer-reviewed article,“Adjusting the Pitch” written by key members of the M&R project team, Deborah Parker, Dario Gentili, Henry Brown and Alberto Balducci, which has been accepted by the international journal Voices, for publication in July 2021.
Structured as an ethnographic exploration of action learning, the article narrates and analyses the project’s developments and transformations during its first 8 years, considering both its successes and challenges.
“Voices” are given to the Palestinian, Italian and Lebanese children, students, teachers and healthcare professionals involved, through both their words within the text and the inclusion of 4 substantial videos, illustrating the key actions of the project.
M&R is contextualized within the Lebanese geopolitical situation and the condition of Palestinian refugees in this context is discussed. The article focuses on the project coordinators’ ability to “adjust the pitch”, thus modifying actions and methods in response to the constantly changing, contingent situation.
After 9 months of waiting and hoping, at last it is possible to travel to Lebanon again. From 11th to 21st December 2020, with the support of Montespertoli council and Città Metropolitana Firenze, and on behalf of the PM M&R coordination team, Deborah Parker will lead a 10-day program of monitoring, evaluation, training and supervision, together with Assumoud, in all the localities where project actions take place: Beirut, Beddawi, Saida and Baalbek.
During these months of covid restrictions, with no group activities in the Assumoud centres, PM has offered distance support, including online supervision for the music therapy team.
The visit will be used for strategic planning of actions in 2021, in particular regarding the recuperation of community and psychosocial music workshops, as soon as the covid crisis permits.
The visit also provides an opportunity for gathering narrations directly from the Palestinian refugee community regarding present-day life conditions, due not only to the sanitary crisis, but also to the prolonged economic and political chaos of the host country.
On Monday 28th December at 18:00 hours, these witness accounts will form the basis of an online conference for the local Italian community, thus maintaining awareness in one of the project’s main partner populations.
This project action is sponsored by the comune di Montespertoli and the Città Metropolitana di Firenze – our thanks for this support!
The video presentation of the Music and Resilience 2018-19 project is online: an overview of the activities we have done during the eighth year of the project. The activities took place in the Palestinian refugee camps in Lebanon in collaboration with the local partner Beit Atfal Assumoud and thanks to the support of Taawon Lebanon. Video by Dario Gentili. https://youtu.be/zXta5blclU4